Billy Budd1 Essay Example For Students

Billy Budd1 Essay Herman Melvilles Billy Budd, Sailor is evidently an extremely divisive text when one considers the amount of dissension and disagreement it has generated critically. The criticism has essentially focused around what could be called the dichotomy of acceptance vs. resistance. On the one hand we can read the story as accepting the slaughter of Billy Budd as the necessary ends of justice. We can read Veres condemnation as a necessary military action performed in the name of preserving the political order on board the Bellipotent. On the other hand, we can read the story ironically as a Melvillian doctrine of resistance. Supporters on this pole of the debate argue that Billy Budds execution is the greatest example of injustice. They argue that the execution is a testament of denunciation, deploring the shallow political order of a paranoid military regime. I do not wish to argue either side of this debate. I have pointed it out to illustrate that Billy Budd, Sailor is a text about princi ples of right conduct, or at least this view is held by critics. Is Veres conduct right or wrong? This is the basic question at stake. In this sense it is a text about moral values and ethical conduct. However, considering that Billy Budd, Sailor is an ethical text, what I find most curious about it is the mysterious absence of the emotion guilt. Here we have a story about two murders. Billy obviously kills Claggart and Vere (Although it is indirect, ultimately the decision is his) kills Budd. Neither of these murderers shows the emotion of guilt in the form of remorse. For a narrative which tries so hard to situate the reader in an ethical and moral position of choosing interpretations, isnt it somewhat ironic that the characters themselves dont exhibit that which would seem to be the most ethical and moral of emotions following the taking of a persons life? Where is the guilt? This is the question I have sought and found a possible answer for in this paper. I have said that neither Billy Budd nor Captain Vere exhibit remorse following their acts of killing. Immediately following the fatal blow to Claggart we are shown no outlet of emotion stemming from Billy. Whatever emotion he may be experiencing is not accounted for by Melville. Indeed, he is silent and nothing is revealed of his physiognomy as Vere orders Billy to exit the scene: This order Billy in silence mechanically obeyed. This is not behavior one would typically expect from someone who just accidentally murdered someone. An ethical or moral reaction would seem to be one of surprise and inquiry such as, My god, What have I done! or something to that effect. Instead Billy is mechanical. When he reemerges for the trial, Billy says this to account for his actions: I did not mean to kill him. But he foully lied to my face and in presence of my captain, and I had to say something, and I could only say it with a blow, God help me! This statement illustrates Billys emotional reaction to his crime. Firstly, he shirks the full weight of his action by pointing to its accidental nature, which surely accounts for something, however in his own mind this is a complete reprieve. Billy is sorry that Claggart was killed, but he is sorry in the way a schoolboy is sorry. He states the utterance as a response without truly feeling apologetic. Indeed this statement is an appeal to save himself more than a eulogy to Claggart, however a feeling of remorse for murdering another human being is nowhere to be found. His concerns are not at all for the one he killed, but for himself as is indicated by God help me!After the hanging of Billy Budd, the narrative ceases to relate the events on board the Bellipotent. For this reason, we are never shown Veres emotional reaction to his decision to hang Billy. The only reaction we are presented with is immediately before the death, when Billy cries out God bless Captain Vere! At this moment Vere stood erectly rigid as a musket in the ship a rmorers rack Melville accounts for Veres emotion at this point by describing it as stoic self-control or a sort of momentary paralysis induced by emotional shock. Either Vere is completely indifferent or unaffected by joy, grief, pleasure or pain at the penultimate moment, or he is overcome by the weight of the events and is physically frozen. In either case, no release of emotion is evident and Veres inner feelings regarding his action are conspicuously concealed from the reader. In each instance, moral and ethical dilemma is laid out for the readers to squirm under. Indeed, as Joseph Schiffman says regarding the execution, does not the reader gag? But what about the characters? Why are the readers coerced into a moral stance while the characters exhibit none? Earlier I asked the question what happens to guilt? To understand the relationship of guilt as it applies to these two characters, Captain Vere and Billy Budd, I will examine their relationship in the context of what Neitzsch e calls the contractual relationship between creditor and debtor in the second essay of On The Genealogy Of Morals entitled, Guilt, Bad Conscience, and the like. Captain Vere is the creditor and Billy Budd is the debtor. Patriotism EssayIt is the punishment that precludes the expression of guilt and remorse in Billy Budd, Sailor. To read the story as either accepting or resisting an ethical dilemma is perhaps a moot point. The ethical thrust of the story could possibly be to indict mans insatiable need to punish and requite injuries through erroneous means. As Nietzche seems to think, we may unhesitatingly assert that it was precisely through punishment that the development of the feeling of guilt was most powerfully hindered. If we conceive of the text of Billy Budd, Sailor as situating the reader for an alignment with this viewpoint, then perhaps the reader gags at the death of Billy Budd not for the seemingly unfair and unjust killing of a sympathetic character, but instead for its illustration of a social system inherently disjointed at its foundation; one which doesnt make sense considering human nature, but one which is so inextricably linked to society that it is doubtful that it could ever, or will ever, be changed. Bibliography: